A Talent for Murder by Andrew Wilson

Final Rating: 4.2/5

 An intriguing homage that stirs the imagination of the amateur sleuth in all of us

  Suspicions, deadlines and a real life mystery that still baffles meld perfectly in this entertaining hunt into the past that follows the voice of Agatha Christie as she confesses all that transpired and her puzzling silence to the world concerning eleven days back in December 1926. A most sensitive case that Christie herself would not even mention in her own autobiography but somebody knows the truth and special arrangements have been kept and decades have passed since the death of the clever writer. The time has come for a tale rife with psychological twisted pressures and a guide who has a mind and talent for murder and concealing secrets.

  The beginning of the narrative is innocent as can be but as the events are pushed in the direction of dangerous doubt, the reader is inevitably invited to sit back and observe the rest of the public and many professions speculate and search for clues to the famed author’s whereabouts. This is deftly accomplished by looking in periodically with Superintendent William Kenward, the deputy chief constable who is determined to see to the end and answer: does this case concern inescapable madness, murder or simple explanations? The mystery alone stirs the amateur sleuth in all of us as we know the truth but still hold our breath along with two more views that add to what it would have been like to open the newspaper everyday to find out about a newly discovered scuff on a dirt road or vague conversation with a trembling woman who may or not be Agatha Christie. In this element, the actual known details are cunningly scattered throughout and those little tidbits of specifics are sure to fascinate and compound racing emotions until the final page.

  For this reader, as entertaining with actual facts and creative with the still unknown to happenings in 1926, I would have liked more era slang tossed in or additional touches of the always popular locale spread into the back ground. To be honest, if I had not already been familiar with the 1926 disappearance of Agatha Christie by watching a mini summary of the case and base facts many years ago, I would have unfortunately thought this novel set in mid-century America. The side story of the female hobby reporter also added to my list of negatives sadly, I saw the importance of the character but those chapters didn’t seem as polished as Christie’s narrative and took away from the built-up suspense by repeating specifics the reader just finished reviewing in other parts. Irksome negatives aside, I still think A Talent for Murder is one novel that definitely deserves attention and praise. It not only leaves the reader with a temptation to challenge their own little grey cells in solving an unsolved mystery (or two) but it also gently nudges those to take a second glance at the library shelves or sale tables and reacquaint themselves with the Queen of Crime.

*I would like to thank Atria Books and NetGalley for opportunity to read and enjoy A Talent for Murder

Title expected to be released: July 11, 2017

See What I Have Done by Sarah Schmidt

Final Rating: 3.9/5

Inside the house on 92 Second Street...

  The dark heart of See What I Have Done is a brutal double murder that still horrifies and strangely fascinates the world. You could say the acts on August 4, 1892 in Fall River, Massachusetts are laid out as one of the ultimate locked room mysteries that may never be correctly solved. Many are convinced of the final answer and even a few brave souls retrace steps taking an electronic recorder to interrogate the shadows but nothing is certain but perhaps this: the case will never be forgotten because of film, literature and the prying natures of the public. It is also one of those iconic tales that can easily become a cautionary legend that writes itself. It takes a special touch though to fully immerse the reader into the pages and luckily we have Ms. Schmidt as our unflinching guide who has a distinct way with her pen that is sure to appeal to the morose unpleasant side we all try to hide. 

  I bet you thought this was going to be one of those uncomplicated stories that are presented one way and then romance and whimsy makes an appearance. Sorry to disappoint and however lovely that would be but this isn’t that kind of novel. This is laudanum induced dream that feeds off of the reader’s morbid curiosities and taps at our most paranoid fears of what can go wrong behind locked doors. We think we are safe at home but we also can’t deny we have those times we feel shivers of doubt when we hesitate in a doorway and rethink what is lurking behind a smile or a sweaty handshake. Is the heavy greasy rancid meal you forced yourself to eat last night the real reason you are so ill this morning?  In this feverish admission of events four views offer the base facts of the case but also challenge our most basic instincts as we follow the daily routines and repeated thoughts of key personalities that all have something to contribute to the reader’s suspicions. To heighten the senses (and twist even more with your final judgments) Ms. Schmidt has prepared for her guests to this collaboration of history and imagination all the tastes, sounds, blurred visions, raised neck hairs and of course scents of the sweltering summer day. I think it would be cruel not to warn any gentle reader at this point, you may not want to look under the table or in the pot.

  As much as I found See What I Have Done a creepy though bizarrely interesting read (especially the claustrophobic tension of the Borden household but also the deep jealous thoughts and complex bonds that can occur between sisters), I still thought this novel a bit paced in the beginning and very frantic at the end where voices of characters just faded out or future events were simply related from newspaper recounts. One or two times I caught an odd afterthought on the modern leaching into the story (a few details for the era seemed just “off”). There were also the final missed opportunities in this title that I really wanted to see re-imagined like the lesser important scenes. To be specific, I was hoping for Bridget’s narration to continue after August 4, 1892 (her chapters I couldn’t wait to find more of), the infamous trial to be remembered or told from anyone’s point of view that was there and finally a creative passage dedicated to one of the final gnawing mysteries of this case concerning a swift departure in 1905 or even one cryptic whisper from 1948 that just begs for a creative wave of the pen. Such a shame to see those scenes forgotten in the mad shuffle to get to the end, still I think See What I Have Done a book to recommend. It may take a certain persistent type of the curious who enjoys history, sensory reading and the unexplained sides of human nature but I know they are out there and they have one unique book waiting for them.   

*I would like to thank Atlantic Monthly Press and Netgalley for the opportunity to read and enjoy See What I Have Done  

Title expected to be released: August 1, 2017

Mad Richard by Lesley Krueger

Final Rating: 3.2/5

The many contrasts and shades of Richard Dadd, Charlotte Brontë and Charles Dickens

  I admit it took me several attempts in the beginning to keep reading this tale of the certain degrees of separation of 19th-century geniuses in art and literature. There were numerous different themes and unfortunate confusing streaky timelines of presented lives and trials that it lost me more than once. The writing was simply eccentrically beautiful overall though and the chapters of Charlotte Brontë definitely kept me turning the pages until the end. Those superbly researched passages along with the creative cameos of artistic and literary “lionesses and players” have me now desiring to revisit every classic mentioned of the era. Only one or two slightly distracting Americanism sprang out in other chapters (or descriptive panels depending of which character the pages were following) and the final sections seemed sadly rushed blotting out the delicate comparisons and associations of personalities that were explored in the opening of this book.

  Perhaps this is one of those too finely crafted novels that will fully amuse and enchant a certain audience. I really wanted to be a captivated member of that set but I think like any memorable work of art it’s the history and the stories surrounding the central subject we remember best as we walk away. That may be not an intended message but I will certainly be recalling the intriguing tidbits of the 19th century that were shared in Mad Richard and really hope Ms. Krueger may consider dedicating an entire novel to the background corner figures briefly featured in this work. Her distinct vintage elegance of the pen clearly displayed in Mad Richard would be something special to see again and wait for.

*I would like to thank ECW Press and NetGalley for the opportunity to read Mad Richard

Title Released: March 14, 2017